Archival Record



Other Identifiers

OC-D-2101-0484 (local reference number)


2004-12-02 15:07:00 (was creation date of)
2004-12-02T15:07:37 (was last modification date)

Record Resource Extent

25.5 KB (1 page)

Scope and Content

Description of Shu Yang performance ‘The Only Flag’ performed at the Chinese Arts Centre on 2nd December 2004. 

Documentary Form Type

Information Form (hierarchy name) ➔ documentation ➔ artists' statement

Language Information

English (has or had language) Latin (has script)


This document was original held in the folder ‘Shu_Yang’ in back-up files managed by the Residency Coordinator (ACC/2021/01). 

Access and Use

Access status

On site

Representation Type

mediated ➔ digital


machine-readable carrier ➔ magnetic disk ➔ hard drive

Media Type

application ➔ application/msword (Microsoft Word Document 97-2003)

Conditions on Access

A digital surrogate of the original record is accessible in the CFCCA Library by appointment for private non-commercial research use.

Use status

CFCCA Copyright

Conditions on Use

Digital File ‘The Only Flag.doc’, 2004 Dec, Shu Yang and Chinese Arts Centre. Courtesy of the CFCCA Archive & Library (GB3451/OC/D/2101/486 ). The record was created by Shu Yang and edited by Teige Maddrel, CAC administrator. This record is accessible for private non-commercial research use only. Requests for other uses must be presented to the copyright holder.

Related Content

Related People and Organisations

Shu, Yang, (b.1969), curator, artist (has creator)
Maddrell, Teige (has author)

Related places

Manchester (is related to)

Related Terms

CFCCA Copyright (has use status)
On site (has access status)
text (has content type)
artists' statements (has documentary form type)
English (has or had language)
Latin (has script)
Originals (has record state)
hard drives (has carrier type )
digital (has representation type)
application/msword (has media type)
Microsoft Word Document 97-2003 (has file format)
Breathe Residency, (2003-2013) (results or resulted from)

Descriptive Notes


This document was processed 2021 as part of the 'Multicultural Heritage at the Crossroad: Organisational Resilience, Institutional Archive and Multicultural Voices' project with support from London Metropolitan University.