During her residency at the Centre, she explored Western perceptions and recreations of China and Chinese Culture in her work Pagoda Pads. Taking inspiration from interior décor, fashion and television shows, the artist decorated spaces with a critical and racist slant using ‘must-have’ exotic accessories, furnishings, and objects which could be seen as stereotypes of Chinese culture through Western perceptions As part of this work she created 'Opium Den' in the residency studio and 'Zen-In-Ten Bathroom'.
The artist also created a CD of recordings of 19th racist folk songs which were linked to Manchester heritage; and contributed to a greetings card for the lunar new year in 2007.